Adobe Photoshop Cs3: Photographers Guide by David D. Busch

By David D. Busch

Images and Photoshop cross hand in hand. no matter if you are utilizing a electronic pixel-grabber or putting onto a movie digicam, Adobe's remodeled flagship picture editor, Photoshop CS3, has the instruments you want to fine-tune your pictures and proper mistakes in publicity, lighting fixtures, and colour stability. This full-color publication is choked with potent examples, simple-to persist with options, and tips that function a jumping-off aspect to spark your personal creativity into motion. you don't want to be an ace photographer or Photoshop specialist to create crowd pleasing results via either conventional and modern photographic suggestions. Use easy-to-master Photoshop instruments to: * fit colours among pictures taken lower than wildly various lighting fixtures stipulations. * reproduction colourful "cross processing" darkroom results. * Morph photos to mixture or distort them. * upload zoom lens blur results with no utilizing a zoom lens. * shield all of the key tonal values and separation among matters on your monochrome photographs with new black-and-white conversion recommendations.

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You’ll find that this task-oriented, rather than menu- or palette-oriented approach will help you learn Photoshop CS3 on a much deeper level. If you began reading this book with a basic understanding of Photoshop, how to choose tools, what the functions of the key tools and commands are, you’ll finish with a much deeper understanding of Adobe’s flagship image editor. Next Up Now that we’ve taken a look at Photoshop and photography from 50,000 feet, it’s time to sky dive down to treetop level and below to investigate some of the techniques you can use to improve your images at the pixel level.

I’ve found that even a brief 1/500th second exposure can still be blurred by camera motion in the hands of someone who isn’t accustomed to holding the camera really steady. A short exposure will stop subject motion, too. While the brief duration of flash can also freeze your image, most flash units have a range of 20 feet or less, so they won’t be useful for your long distance/long lens photography. ■ Consider using a tripod, if you have one available, to steady your camera. At the very least, try bracing the camera against a rigid object, such as a tree, building, or rail.

Photoshop can overcome these limitations with its own built-in zoom blur effect. Try the following technique: 1. jpg from the Course website, or use your own image. 18. The photo happens to be a cropped portion of a digital camera image taken under available light at about 1/500th second and f/4. Notice how the girls’ hands are a little blurry, but everything else is static and frozen in time. I thought it would be interesting to keep the basketball sharp but add a little zoom blur to the players.

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