By Mark Galer
Unharness the hidden strength for pro snapshot enhancing in Adobe® Photoshop® components with this project-based, real-world guide.
Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer recognized and strongest post-production modifying concepts Adobe® Photoshop® parts has to supply. crafty methods and smart workarounds assist you to create specialist photos with no beneficial properties from the whole Adobe® Photoshop® package deal that you just desire yet don't desire to pay for - practice initiatives you did not imagine have been attainable in Adobe® Photoshop® Elements!
Whether you are an imaging specialist or a images fanatic, this e-book can help you get the utmost functionality out of your software program. learn the way to:
* Create awesome results with out advertisement lights or studio equipment
* expand the dynamic variety of your digicam by way of merging a number of exposures
* Optimize, improve and montage pictures with lovely results
The accompanying DVD offers wide help with motion picture tutorials for all tasks, excessive solution pictures, multilayered records of accomplished initiatives, a inventory library and a keyboard shortcut guide.
Mark Galer is a contract photographer, comprehensive lecturer and best-selling writer of quantity books on images. he's an authentic Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® components.
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Additional info for Adobe Photoshop Elements 6 Maximum Performance. Unleash the Hidden Performance of Elements
When cameras are set to 100 or 200 ISO it may be possible to leave the Luminance slider at 0 as noise will be low or non-existent. It is recommended that you only perform a gentle amount of sharpening in the Raw dialog box if you intend to selectively sharpen the image in the main image-editing workspace (see ‘Project 7 - Sharpening’ for localized sharpening techniques that are unavailable in the Camera Raw dialog box). PERFORMANCE TIP The Luminance Smoothing and Color Noise Reduction sliders can remove subtle detail and color information that may go unnoticed if the photographer is not careful to pay attention to the eﬀects of these sliders.
The Raw data is what the sensor ‘saw’ before the camera processed the image, and many photographers have started to refer to this ﬁle as the ‘digital negative’. This digital negative allows you to take control over the conversion process to access maximum quality. RAW IMAGE ON DVD For maximum quality choose to save your ﬁles using the camera Raw format. This image was further edited in the main editing workspace using techniques from the Hue and Saturation and Glamor Portrait projects Part 1: Optimize Processing Raw data White balance, brightness, contrast, saturation and sharpness can all be assigned as part of the conversion process in Adobe Camera Raw rather than in the camera.
Images are sometimes optimized for press by skilled operatives during the conversion to CMYK. Sometimes they are not. If in doubt you should check with the publication to get an idea of what you are expected to do and what you should be aiming for if the responsibility is yours. 42 Project 4: Target Tones 1. For maximum quality you would be wise to optimize your histogram in camera Raw or in 16 Bits/Channel mode. If the ﬁle is in 16 Bits/Channel mode you will need to access a levels adjustment from the Enhance > Adjust Lighting submenu.